A sense of duality informs Matar's work. Much of that duality is what one might expect: East and West, rich and poor, war and peace. But what's most striking about Matar's photography is another duality: its balance between the realistic and poetic. She is the documentarian as lyricist, someone who, recording the incongruous, discovers the transcendent.
– Mark Feeney
Boston Globe, December 2009